-
Notifications
You must be signed in to change notification settings - Fork 1
Commit
This commit does not belong to any branch on this repository, and may belong to a fork outside of the repository.
- Loading branch information
1 parent
a32d5d6
commit 45acaee
Showing
1 changed file
with
120 additions
and
0 deletions.
There are no files selected for viewing
This file contains bidirectional Unicode text that may be interpreted or compiled differently than what appears below. To review, open the file in an editor that reveals hidden Unicode characters.
Learn more about bidirectional Unicode characters
Original file line number | Diff line number | Diff line change |
---|---|---|
@@ -0,0 +1,120 @@ | ||
<!DOCTYPE html> | ||
<html lang="en"> | ||
<head> | ||
<meta charset="UTF-8"> | ||
<meta http-equiv="X-UA-Compatible" content="IE=edge"> | ||
<meta name="viewport" content="width=device-width, initial-scale=1.0"> | ||
<title>the alchemist</title> | ||
<link rel="stylesheet" href="style.css"> | ||
</head> | ||
<body> | ||
<div class="container" > | ||
<div id="myHeader" class="header"> | ||
<a href="index.html"><button class="home-button">Home</button></a> | ||
<button class="bookmark-button">Bookmark</button> | ||
<div class="wrapper"> | ||
<input type="text" id="text-to-search" placeholder="Enter text to search..."> | ||
<button onclick="search()">Search</button> | ||
</div> | ||
</div> | ||
<h6>Author</h6> | ||
<h1>Paulo Coelho</h1> | ||
<h6>Brazilian lyricist</h6> | ||
<p id="paragraph"> | ||
“Should I understand the Emerald Tablet?” the boy asked. | ||
“Perhaps, if you were in a laboratory of alchemy, this would be | ||
the right time to study the best way to understand the Emerald | ||
Tablet. But you are in the desert. So immerse yourself in it. The | ||
desert will give you an understanding of the world; in fact, anything | ||
on the face of the earth will do that. You don’t even have to | ||
understand the desert: all you have to do is contemplate a simple | ||
grain of sand, and you will see in it all the marvels of creation.” | ||
“How do I immerse myself in the desert?” | ||
“Listen to your heart. It knows all things, because it came from | ||
the Soul of the World, and it will one day return there.” | ||
THEY CROSSED THE DESERT FOR ANOTHER TWO DAYS IN silence. The | ||
alchemist had become much more cautious, because they were | ||
approaching the area where the most violent battles were being | ||
waged. As they moved along, the boy tried to listen to his heart. | ||
It was not easy to do; in earlier times, his heart had always been | ||
ready to tell its story, but lately that wasn’t true. There had been | ||
times when his heart spent hours telling of its sadness, and at other | ||
times it became so emotional over the desert sunrise that the boy | ||
had to hide his tears. His heart beat fastest when it spoke to the boy | ||
of treasure, and more slowly when the boy stared entranced at the | ||
endless horizons of the desert. But his heart was never quiet, even | ||
when the boy and the alchemist had fallen into silence. | ||
“Why do we have to listen to our hearts?” the boy asked, when | ||
they had made camp that day. | ||
“Because, wherever your heart is, that is where you’ll find your | ||
treasure.” | ||
“But my heart is agitated,” the boy said. “It has its dreams, it gets | ||
emotional, and it’s become passionate over a woman of the desert. | ||
It asks things of me, and it keeps me from sleeping many nights, | ||
when I’m thinking about her.” | ||
“Well, that’s good. Your heart is alive. Keep listening to what it | ||
has to say.” | ||
During the next three days, the two travelers passed by a | ||
number of armed tribesmen, and saw others on the horizon. The | ||
boy’s heart began to speak of fear. It told him stories it had heard | ||
from the Soul of the World, stories of men who sought to find their | ||
treasure and never succeeded. Sometimes it frightened the boy with | ||
the idea that he might not find his treasure, or that he might die | ||
there in the desert. At other times, it told the boy that it was | ||
satisfied: it had found love and riches. | ||
“My heart is a traitor,” the boy said to the alchemist, when they | ||
had paused to rest the horses. “It doesn’t want me to go on.” | ||
“That makes sense,” the alchemist answered. “Naturally it’s | ||
afraid that, in pursuing your dream, you might lose everything | ||
you’ve won.” | ||
“Well, then, why should I listen to my heart?” | ||
“Because you will never again be able to keep it quiet. Even if | ||
you pretend not to have heard what it tells you, it will always be | ||
there inside you, repeating to you what you’re thinking about life | ||
and about the world.” | ||
“You mean I should listen, even if it’s treasonous?” | ||
“Treason is a blow that comes unexpectedly. If you know your | ||
heart well, it will never be able to do that to you. Because you’ll | ||
know its dreams and wishes, and will know how to deal with them. | ||
“You will never be able to escape from your heart. So it’s better | ||
to listen to what it has to say. That way, you’ll never have to fear an | ||
unanticipated blow.” | ||
The boy continued to listen to his heart as they crossed the | ||
desert. He came to understand its dodges and tricks, and to accept it | ||
as it was. He lost his fear, and forgot about his need to go back to the | ||
oasis, because, one afternoon, his heart told him that it was happy. | ||
“Even though I complain sometimes,” it said, “it’s because I’m the | ||
heart of a person, and people’s hearts are that way. People are | ||
afraid to pursue their most important dreams, because they feel | ||
that they don’t deserve them, or that they’ll be unable to achieve | ||
them. We, their hearts, become fearful just thinking of loved ones | ||
who go away forever, or of moments that could have been good but | ||
weren’t, or of treasures that might have been found but were | ||
forever hidden in the sands. Because, when these things happen, we | ||
suffer terribly.” | ||
“My heart is afraid that it will have to suffer,” the boy told the | ||
alchemist one night as they looked up at the moonless sky. | ||
“Tell your heart that the fear of suffering is worse than the | ||
suffering itself. And that no heart has ever suffered when it goes in | ||
search of its dreams, because every second of the search is a | ||
second’s encounter with God and with eternity.” | ||
“Every second of the search is an encounter with God,” the boy | ||
told his heart. “When I have been truly searching for my treasure, | ||
every day has been luminous, because I’ve known that every hour | ||
was a part of the dream that I would find it. When I have been truly | ||
searching for my treasure, I’ve discovered things along the way that | ||
I never would have seen had I not had the courage to try things that | ||
seemed impossible for a shepherd to achieve.” | ||
</p> | ||
<div> | ||
<h5 class="pageNumber">Page 50</h5> | ||
<a href="alchemist49.html" class="previous">« Previous</a> | ||
<a href="alchemist51.html" class="next">Next »</a> | ||
</div> | ||
|
||
</div> | ||
|
||
<!-- script --> | ||
<script src="script.js"></script> | ||
</body> | ||
</html> |