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Bach/Rodrigues: Cantata BWV54 - Aria
Signed-off-by: Davide Madrisan <[email protected]>
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‎CHANGELOG.md

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@@ -8,14 +8,15 @@ The format is based on [Keep a Changelog](https://keepachangelog.com/en/1.0.0/).
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### Added
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- J.S. Bach: Fuga a BWV947
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- Bach/Rodrigues: Cantata BWV54 - Aria
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## [v61] - 2024-02-17
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### Added
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- J.S. Bach: Fuga C-Dur BWV953
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- J.S. Bach: Fantasie und fuge BWV944
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- J.S. Bach: Cantata Actus Tragicus BWV106
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- Bach/Erdos: Cantata Actus Tragicus BWV106
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‎DEVELOPERS.md

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@@ -43,6 +43,7 @@ make -C src/frederic-chopin/valse
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make -C src/ildebrando-pizzetti/sogno
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make -C src/jan-pieterszoon-sweelinck/fantasia-cromatica-SwWV258
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make -C src/johann-sebastian-bach/cantata-BWV106-actus-tragicus-sonatina
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make -C src/johann-sebastian-bach/cantata-BWV54-aria
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make -C src/johann-sebastian-bach/cembalo-konzert-largo-BWV1056-kempff
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make -C src/johann-sebastian-bach/chaconne-fur-violine-busoni-BWV1004
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make -C src/johann-sebastian-bach/chorale-preludes/BWV615-Busoni

‎configure.ac

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@@ -116,6 +116,7 @@ AC_CONFIG_FILES([\
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src/johannes-brahms/rhapsodie-op.79-nr.1/Makefile \
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src/johannes-brahms/rhapsodie-op.79-nr.2/Makefile \
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src/johann-sebastian-bach/Makefile \
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src/johann-sebastian-bach/cantata-BWV54-aria/Makefile \
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src/johann-sebastian-bach/cantata-BWV106-actus-tragicus-sonatina/Makefile \
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src/johann-sebastian-bach/cembalo-konzert-largo-BWV1056-kempff/Makefile \
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src/johann-sebastian-bach/chaconne-fur-violine-BWV1004-busoni/Makefile \

‎src/johann-sebastian-bach/Makefile.am

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SUBDIRS = cantata-BWV106-actus-tragicus-sonatina \
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cantata-BWV54-aria \
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cembalo-konzert-largo-BWV1056-kempff \
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chaconne-fur-violine-BWV1004-busoni \
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chorale-preludes \

‎src/johann-sebastian-bach/cantata-BWV54-aria/JS-Bach-BWV54-Cantata-Aria.ly

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\version "2.25.20"
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#(ly:set-option 'relative-includes #t)
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\include "./covercolor.ly"
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\header {
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tagline = ##f
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}
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\paper {
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#(set-paper-size "a4")
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annotate-spacing = ##f
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binding-offset = 0\mm
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bottom-margin = 5\mm
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first-page-number = 0
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indent = 0.0
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%inner-margin = 10\mm
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% last-bottom-spacing.padding = #2
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%left-margin = 10\mm
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line-width = 19\cm
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markup-system-spacing =
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#'((basic-distance . 2)
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(minimum-distance . 1)
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(padding . 2)
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(stretchability . 24))
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%outer-margin = 20\mm
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print-all-headers = ##t
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ragged-last-bottom = ##f
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ragged-bottom = ##f
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%right-margin = 10\mm
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score-markup-spacing =
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#'((basic-distance . 10)
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(minimum-distance . 8)
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(padding . 2)
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(stretchability . 24))
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system-system-spacing =
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#'((basic-distance . 2)
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(minimum-distance . 1)
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(padding . 2)
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(stretchability . 24))
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top-margin = 10\mm
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top-markup-spacing.basic-distance = 0
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top-system-spacing.basic-distance = 1
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}
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\bookpart {
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\header {
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maintainer = "Davide Madrisan"
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maintainerEmail = "[email protected]"
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}
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\include "./header.ily"
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\header {
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title = ##f
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composer = ##f
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}
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\markup {
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\with-dimensions #'(0 . 0) #'(0 . 0)
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\with-color \coverColor
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\filled-box #'(-200 . 200) #'(-200 . 200) #0
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}
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\markup {
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\fill-line {
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\center-column {
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\null\null\null\null
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\null\null\null\null
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\line { \abs-fontsize #30 \bold "Johann Sebastian" }
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\null
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\line { \abs-fontsize #80 \bold "Bach" }
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\null
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\fill-line { \draw-hline }
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\null\null\null
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\line { \abs-fontsize #40 \bold "Cantata" }
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\null\null
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\line { \abs-fontsize #30 \bold \italic "Widerstehe doch der Sünde" }
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\null
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\line { \abs-fontsize #30 \bold "Aria" }
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\null\null\null
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\line { \abs-fontsize #20 "BWV 54" }
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\null\null\null
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\fill-line \italic { \abs-fontsize #14 "For keyboard instruments" }
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\null\null
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\null\null
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}
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}
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}
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\include "./logo.ly"
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\markup {
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\fill-line {
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\center-column {
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\null\null\null\null
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\fill-line {
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\abs-fontsize #10 "Transcription for piano by Nuno R. Rodrigues"
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}
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\null\null
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}
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}
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}
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}
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Global = {
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\key es \major
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\time 4/4
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\include "global.ly"
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}
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Soprano = \context Voice = "one" \relative c' {
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\voiceOne
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\stemUp\tieUp
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\override MultiMeasureRest.staff-position = #0
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\override Rest.staff-position = #0
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%1
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| r4 d16^\p c d bes aes'8 aes aes aes
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| bes bes bes bes c c c c
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| des des des16 c des bes c4~ c16 bes c aes
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| bes8 c16 d ees4~ ees16 d ees c d8 f~
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%5
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| f16 ees f d ees8 g~ g16 f g ees f8 aes~
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| aes16 g aes f g4~ g16 f g ees f8 bes
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| a16 bes a c f, g f g a bes a c f, g f a
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| bes g aes f g ees f d ees8. f16 d8. ees16
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| <ees, ees'>4 f'\rest d2\rest
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%10
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| g8\rest g16\rest c, bes8 aes16 g g8. aes16
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\once\override Voice.Script.X-offset = #2
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f8.\downprall ees16
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| ees4 r d'2\rest
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| f4\rest d,16 c d bes aes'8 aes aes aes
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| bes8 bes bes bes c c c c
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| f f <bes, f'> f' <d f>16 <c ees> <d f> <bes d> <c ees>4~
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%15
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| q16 <bes d> <c ees> c d4~ d16 <a! c> <bes d> ees c8 f,
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| f16 bes c8 bes f d'4\rest c,8 c
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| <c f> d'\rest f, ees d r a'16 g a f
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| ees'8 ees ees ees f f f f
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| g g g g aes aes <f bes> bes
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%20
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%| bes bes bes bes bes g16 a bes8 f
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| R1*36
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\fine
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}
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Alto = \context Voice = "two" \relative c {
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\voiceTwo
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\stemDown\tieDown
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\override Rest.staff-position = #0
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%1
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| s4 f\rest d'8 d d16 c d bes
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| aes' g aes f g f g ees bes' aes bes g aes g aes f
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| c' bes c aes bes4~ bes16 aes bes g aes4~
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| aes16 g aes f g f g ees f8 aes~ aes16 g aes f
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%5
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| g8 bes~ bes16 aes bes g c4~ c16 bes c aes
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| d8 f~ f16 ees f d ees d ees c d c d bes
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| c d c ees a, bes a bes c d c ees a, bes a c
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| d bes c aes bes g aes f g8. aes16 f8. ees16
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| bes'16 g aes f g ees f d ees g f aes g bes aes bes
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%10
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| c bes aes bes g8 f16 ees ees8. f16 d8. ees16
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| ees4 d16( c d bes aes'8 aes) aes16( f d aes'
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| aes g g8) f,4\rest b\rest d16 c d bes
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| aes' g aes f g f g ees bes' a bes g a g a f
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| c' bes c a
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\change Staff = "lower" \voiceThree
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f8
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\change Staff = "upper" \voiceTwo
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g16 aes32 bes g4~ g16 f g ees
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%15
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| f4~ f16 bes( a bes ees,8.) g16( f8 ees16 d
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| d8) f16( ees d16 c d bes g'8) bes,16( c a!4~)
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| a16 g'( f ees d8 c16 bes bes4*1/2) d8 ees ees
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| g4\rest a16 g a f ees' d ees c d c d bes
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| f' ees f d ees d ees c g' f g ees aes g aes f
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%20
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| g ees f d ees f g ees f d ees c d c d bes
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}
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Tenor = \context Voice = "three" \relative c {
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\voiceThree
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\stemUp\tieUp
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%1
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| \change Staff = "upper" \voiceTwo
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<f aes>8\pp
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\change Staff = "lower" \voiceThree
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<f aes> q q
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r f f f
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| r <ees ees'> q q r <aes ees'> <f aes> q
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| r <f bes> <g bes> q r <ees aes> <f aes> q
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| r <f d'!> <ees bes'> q r aes <f d'> q
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%5
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| r8 <g bes> g g r <ees aes> c' c
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| r <f, d'> ees' ees r bes f' f
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| \repeat unfold 2 { c <c ees> q q }
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| <bes f'> q <bes ees> q c c bes bes
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| g r bes16 g aes f g ees f d ees g f g
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%10
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| aes8 ees bes' aes c4 <f, bes>
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| \change Staff = "upper" \voiceTwo
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\once\override NoteColumn.force-hshift = #0.6
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<g bes>8
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\change Staff = "lower" \voiceThree
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q aes aes <f d'> q q f
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| <bes ees> q aes aes <f d'> q f f
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| a4\rest bes16( aes bes g ees'8 ees) ees16( c a ees'
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| ees d bes8) s2.
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%15
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| s1*2
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| r8 bes bes <f, a'>\arpeggio <bes, bes'> <bes' f' bes> <bes c'> q
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| s2. bes'16( a! bes f
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| ees'8 ees) ees16( c a ees' ees d d8) s4
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%20
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| s2 d4\rest bes16 a bes f
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}
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Bass = \context Voice = "four" \relative c {
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\voiceFour
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\stemDown\tieDown
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\override MultiMeasureRest.staff-position = #0
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\override Rest.staff-position = #0
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%1
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| \repeat unfold 2 { <ees,, ees'>8 ees'' ees ees }
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| \repeat unfold 2 { <ees,, ees'> ees'' ees ees }
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| \repeat unfold 2 { <ees,, ees'> ees'' ees ees ees,, ees'' ees ees }
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%5
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| ees,, ees'' ees ees aes,, aes' aes' aes
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| bes,, bes' bes' bes bes,, bes' bes' bes
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| \repeat unfold 2 { bes, bes' bes bes }
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| bes bes ees, ees aes aes aes aes
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| ees ees d d c c bes bes
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%10
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| aes aes bes bes c aes bes bes
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| <ees,, ees'> ees'' ees ees ees ees ees ees
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| \repeat unfold 2 { ees ees ees ees }
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| <ees,, ees'> ees'' <d ees> q c c f f
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| bes bes bes <bes d> <ees, bes' ees> q <c g' ees'>\arpeggio q
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%15
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| <a f' c'>\arpeggio q <bes f' bes> q <g g'> q <a f'> q
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| <bes f'> q <f' bes> q <e bes' c> e ees16 d ees c
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| d c d bes f'8 s s2
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| <bes, a' c>8 q q q <bes bes'> q bes bes
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| bes bes' bes f bes bes <bes, d'>\arpeggio q
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%20
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| R1*36
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\fine
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}
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\score {
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\new PianoStaff
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<<
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\accidentalStyle Score.piano
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\context Staff = "upper" <<
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\set Staff.midiInstrument = #"acoustic grand"
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\Global
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\clef treble
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\Soprano
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\Alto
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>>
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\context Staff = "lower" <<
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\set Staff.midiInstrument = #"acoustic grand"
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\Global
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\clef bass
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\Tenor
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\Bass
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>>
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>>
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\header {
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composer = "Johann Sebastian Bach"
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opus = "BWV 54"
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title = "Cantata"
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subtitle = "Widerstehe doch der Sünde"
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subsubtitle = \markup { \italic "Aria" }
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poet = \markup { \italic "Transcription: Nuno R. Rodrigues" }
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}
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\layout {
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\context {
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\PianoStaff
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\override Parentheses.font-size = #-2
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\override TextScript.font-shape = #'italic
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\override TextScript.font-size = #-1
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}
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}
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\midi {
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\tempo 4 = 100
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}
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}

‎src/johann-sebastian-bach/cantata-BWV54-aria/Makefile.am

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## the Free Software Foundation, either version 3 of the License, or
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## (at your option) any later version.
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##
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## This program is distributed in the hope that it will be useful,
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## but WITHOUT ANY WARRANTY; without even the implied warranty of
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## MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
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## GNU General Public License for more details.
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##
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## You should have received a copy of the GNU General Public License
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## along with this program. If not, see <http://www.gnu.org/licenses/>.
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SUFFIXES = .in
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.in:; @echo "Generating $@...";\
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sed "s,@rgb_color@,$(RGB_COLOR),g;" \
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$< > $@
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%: %.ly
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$(LILYPOND) --pdf --output $@ $<
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BUILT_SOURCES = covercolor.ly
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EXTRA_DIST = JS-Bach-BWV54-Cantata-Aria.ly \
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covercolor.ly.in \
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header.ily \
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global.ly \
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logo.ly
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all: $(BUILT_SOURCES) JS-Bach-BWV54-Cantata-Aria
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clean-local:
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-rm -f $(BUILT_SOURCES)
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-rm -f *.midi
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-rm -f *.pdf

‎src/johann-sebastian-bach/cantata-BWV54-aria/covercolor.ly.in

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coverColor = #(rgb-color @rgb_color@) % lavender blue

‎src/johann-sebastian-bach/cantata-BWV54-aria/global.ly

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% Draw a box round the bar number(s)
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\override Score.BarNumber.stencil
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= #(make-stencil-boxer 0.1 0.25 ly:text-interface::print)

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