Skip to content

Commit 0118ac9

Browse files
committed
Merge branch 'main' of https://github.com/J0rgeR1vas/books
2 parents e467289 + 8769c0a commit 0118ac9

File tree

4 files changed

+356
-0
lines changed

4 files changed

+356
-0
lines changed

alchemist10.html

Lines changed: 93 additions & 0 deletions
Original file line numberDiff line numberDiff line change
@@ -0,0 +1,93 @@
1+
<!DOCTYPE html>
2+
<html lang="en">
3+
<head>
4+
<meta charset="UTF-8">
5+
<meta http-equiv="X-UA-Compatible" content="IE=edge">
6+
<meta name="viewport" content="width=device-width, initial-scale=1.0">
7+
<title>the alchemist</title>
8+
<link rel="stylesheet" href="style.css">
9+
</head>
10+
<body>
11+
<div class="container" >
12+
<div id="myHeader" class="header">
13+
<a href="index.html"><button class="home-button">Home</button></a>
14+
<button class="bookmark-button">Bookmark</button>
15+
<div class="wrapper">
16+
<input type="text" id="text-to-search" placeholder="Enter text to search...">
17+
<button onclick="search()">Search</button>
18+
</div>
19+
</div>
20+
<h6>Author</h6>
21+
<h1>Paulo Coelho</h1>
22+
<h6>Brazilian lyricist</h6>
23+
<p id="paragraph">
24+
“Because you are trying to realize your Personal Legend. And
25+
you are at the point where you’re about to give it all up.”
26+
“And that’s when you always appear on the scene?”
27+
“Not always in this way, but I always appear in one form or
28+
another. Sometimes I appear in the form of a solution, or a good
29+
idea. At other times, at a crucial moment, I make it easier for things
30+
to happen. There are other things I do, too, but most of the time
31+
people don’t realize I’ve done them.”
32+
The old man related that, the week before, he had been forced to
33+
appear before a miner, and had taken the form of a stone. The miner
34+
had abandoned everything to go mining for emeralds. For five years
35+
he had been working a certain river, and had examined hundreds of
36+
thousands of stones looking for an emerald. The miner was about to
37+
give it all up, right at the point when, if he were to examine just one
38+
more stone—just one more—he would find his emerald. Since the
39+
miner had sacrificed everything to his Personal Legend, the old man
40+
decided to become involved. He transformed himself into a stone
41+
that rolled up to the miner’s foot. The miner, with all the anger and
42+
frustration of his five fruitless years, picked up the stone and threw
43+
it aside. But he had thrown it with such force that it broke the stone
44+
it fell upon, and there, embedded in the broken stone, was the most
45+
beautiful emerald in the world.
46+
“People learn, early in their lives, what is their reason for being,”
47+
said the old man, with a certain bitterness. “Maybe that’s why they
48+
give up on it so early, too. But that’s the way it is.”
49+
The boy reminded the old man that he had said something about
50+
hidden treasure.
51+
“Treasure is uncovered by the force of flowing water, and it is
52+
buried by the same currents,” said the old man. “If you want to learn
53+
about your own treasure, you will have to give me one-tenth of your
54+
flock.”
55+
“What about one-tenth of my treasure?”
56+
The old man looked disappointed. “If you start out by promising
57+
what you don’t even have yet, you’ll lose your desire to work
58+
toward getting it.”
59+
The boy told him that he had already promised to give one-tenth
60+
of his treasure to the Gypsy.
61+
“Gypsies are experts at getting people to do that,” sighed the old
62+
man. “In any case, it’s good that you’ve learned that everything in
63+
life has its price. This is what the Warriors of the Light try to teach.”
64+
The old man returned the book to the boy.
65+
“Tomorrow, at this same time, bring me a tenth of your flock.
66+
And I will tell you how to find the hidden treasure. Good afternoon.”
67+
And he vanished around the corner of the plaza.
68+
THE BOY BEGAN AGAIN TO READ HIS BOOK, BUT HE WAS NO longer able to
69+
concentrate. He was tense and upset, because he knew that the old
70+
man was right. He went over to the bakery and bought a loaf of
71+
bread, thinking about whether or not he should tell the baker what
72+
the old man had said about him. Sometimes it’s better to leave
73+
things as they are, he thought to himself, and decided to say nothing.
74+
If he were to say anything, the baker would spend three days
75+
thinking about giving it all up, even though he had gotten used to
76+
the way things were. The boy could certainly resist causing that
77+
kind of anxiety for the baker. So he began to wander through the
78+
city, and found himself at the gates. There was a small building
79+
there, with a window at which people bought tickets to Africa. And
80+
he knew that Egypt was in Africa.
81+
</p>
82+
<div>
83+
<h5 class="pageNumber">Page 10</h5>
84+
<a href="alchemist9.html" class="previous">&laquo; Previous</a>
85+
<a href="alchemist11.html" class="next">Next &raquo;</a>
86+
</div>
87+
88+
</div>
89+
90+
<!-- script -->
91+
<script src="script.js"></script>
92+
</body>
93+
</html>

alchemist11.html

Lines changed: 81 additions & 0 deletions
Original file line numberDiff line numberDiff line change
@@ -0,0 +1,81 @@
1+
<!DOCTYPE html>
2+
<html lang="en">
3+
<head>
4+
<meta charset="UTF-8">
5+
<meta http-equiv="X-UA-Compatible" content="IE=edge">
6+
<meta name="viewport" content="width=device-width, initial-scale=1.0">
7+
<title>the alchemist</title>
8+
<link rel="stylesheet" href="style.css">
9+
</head>
10+
<body>
11+
<div class="container" >
12+
<div id="myHeader" class="header">
13+
<a href="index.html"><button class="home-button">Home</button></a>
14+
<button class="bookmark-button">Bookmark</button>
15+
<div class="wrapper">
16+
<input type="text" id="text-to-search" placeholder="Enter text to search...">
17+
<button onclick="search()">Search</button>
18+
</div>
19+
</div>
20+
<h6>Author</h6>
21+
<h1>Paulo Coelho</h1>
22+
<h6>Brazilian lyricist</h6>
23+
<p id="paragraph">
24+
“Can I help you?” asked the man behind the window.
25+
“Maybe tomorrow,” said the boy, moving away. If he sold just
26+
one of his sheep, he’d have enough to get to the other shore of the
27+
strait. The idea frightened him.
28+
“Another dreamer,” said the ticket seller to his assistant,
29+
watching the boy walk away. “He doesn’t have enough money to
30+
travel.”
31+
While standing at the ticket window, the boy had remembered
32+
his flock, and decided he should go back to being a shepherd. In two
33+
years he had learned everything about shepherding: he knew how
34+
to shear sheep, how to care for pregnant ewes, and how to protect
35+
the sheep from wolves. He knew all the fields and pastures of
36+
Andalusia. And he knew what was the fair price for every one of his
37+
animals.
38+
He decided to return to his friend’s stable by the longest route
39+
possible. As he walked past the city’s castle, he interrupted his
40+
return, and climbed the stone ramp that led to the top of the wall.
41+
From there, he could see Africa in the distance. Someone had once
42+
told him that it was from there that the Moors had come, to occupy
43+
all of Spain.
44+
He could see almost the entire city from where he sat, including
45+
the plaza where he had talked with the old man. Curse the moment I
46+
met that old man, he thought. He had come to the town only to find
47+
a woman who could interpret his dream. Neither the woman nor the
48+
old man was at all impressed by the fact that he was a shepherd.
49+
They were solitary individuals who no longer believed in things,
50+
and didn’t understand that shepherds become attached to their
51+
sheep. He knew everything about each member of his flock: he
52+
knew which ones were lame, which one was to give birth two
53+
months from now, and which were the laziest. He knew how to
54+
shear them, and how to slaughter them. If he ever decided to leave
55+
them, they would suffer.
56+
The wind began to pick up. He knew that wind: people called it
57+
the levanter, because on it the Moors had come from the Levant at
58+
the eastern end of the Mediterranean.
59+
The levanter increased in intensity. Here I am, between my flock
60+
and my treasure, the boy thought. He had to choose between
61+
something he had become accustomed to and something he wanted
62+
to have. There was also the merchant’s daughter, but she wasn’t as
63+
important as his flock, because she didn’t depend on him. Maybe she
64+
didn’t even remember him. He was sure that it made no difference
65+
to her on which day he appeared: for her, every day was the same,
66+
and when each day is the same as the next, it’s because people fail to
67+
recognize the good things that happen in their lives every day that
68+
the sun rises.
69+
</p>
70+
<div>
71+
<h5 class="pageNumber">Page 11</h5>
72+
<a href="alchemist10.html" class="previous">&laquo; Previous</a>
73+
<a href="alchemist12.html" class="next">Next &raquo;</a>
74+
</div>
75+
76+
</div>
77+
78+
<!-- script -->
79+
<script src="script.js"></script>
80+
</body>
81+
</html>

alchemist12.html

Lines changed: 88 additions & 0 deletions
Original file line numberDiff line numberDiff line change
@@ -0,0 +1,88 @@
1+
<!DOCTYPE html>
2+
<html lang="en">
3+
<head>
4+
<meta charset="UTF-8">
5+
<meta http-equiv="X-UA-Compatible" content="IE=edge">
6+
<meta name="viewport" content="width=device-width, initial-scale=1.0">
7+
<title>the alchemist</title>
8+
<link rel="stylesheet" href="style.css">
9+
</head>
10+
<body>
11+
<div class="container" >
12+
<div id="myHeader" class="header">
13+
<a href="index.html"><button class="home-button">Home</button></a>
14+
<button class="bookmark-button">Bookmark</button>
15+
<div class="wrapper">
16+
<input type="text" id="text-to-search" placeholder="Enter text to search...">
17+
<button onclick="search()">Search</button>
18+
</div>
19+
</div>
20+
<h6>Author</h6>
21+
<h1>Paulo Coelho</h1>
22+
<h6>Brazilian lyricist</h6>
23+
<p id="paragraph">
24+
I left my father, my mother, and the town castle behind. They
25+
have gotten used to my being away, and so have I. The sheep will get
26+
used to my not being there, too, the boy thought.
27+
From where he sat, he could observe the plaza. People continued
28+
to come and go from the baker’s shop. A young couple sat on the
29+
bench where he had talked with the old man, and they kissed.
30+
“That baker…” he said to himself, without completing the
31+
thought. The levanter was still getting stronger, and he felt its force
32+
on his face. That wind had brought the Moors, yes, but it had also
33+
brought the smell of the desert and of veiled women. It had brought
34+
with it the sweat and the dreams of men who had once left to search
35+
for the unknown, and for gold and adventure—and for the
36+
Pyramids. The boy felt jealous of the freedom of the wind, and saw
37+
that he could have the same freedom. There was nothing to hold
38+
him back except himself. The sheep, the merchant’s daughter, and
39+
the fields of Andalusia were only steps along the way to his Personal
40+
Legend.
41+
The next day, the boy met the old man at noon. He brought six
42+
sheep with him.
43+
“I’m surprised,” the boy said. “My friend bought all the other
44+
sheep immediately. He said that he had always dreamed of being a
45+
shepherd, and that it was a good omen.”
46+
“That’s the way it always is,” said the old man. “It’s called the
47+
principle of favorability. When you play cards the first time, you are
48+
almost sure to win. Beginner’s luck.”
49+
“Why is that?”
50+
“Because there is a force that wants you to realize your Personal
51+
Legend; it whets your appetite with a taste of success.”
52+
Then the old man began to inspect the sheep, and he saw that
53+
one was lame. The boy explained that it wasn’t important, since that
54+
sheep was the most intelligent of the flock, and produced the most
55+
wool.
56+
“Where is the treasure?” he asked.
57+
“It’s in Egypt, near the Pyramids.”
58+
The boy was startled. The old woman had said the same thing.
59+
But she hadn’t charged him anything.
60+
“In order to find the treasure, you will have to follow the omens.
61+
God has prepared a path for everyone to follow. You just have to
62+
read the omens that he left for you.”
63+
Before the boy could reply, a butterfly appeared and fluttered
64+
between him and the old man. He remembered something his
65+
grandfather had once told him: that butterflies were a good omen.
66+
Like crickets, and like grasshoppers; like lizards and four-leaf
67+
clovers.
68+
“That’s right,” said the old man, able to read the boy’s thoughts.
69+
“Just as your grandfather taught you. These are good omens.”
70+
The old man opened his cape, and the boy was struck by what he
71+
saw. The old man wore a breastplate of heavy gold, covered with
72+
precious stones. The boy recalled the brilliance he had noticed on
73+
the previous day.
74+
He really was a king! He must be disguised to avoid encounters
75+
with thieves.
76+
</p>
77+
<div>
78+
<h5 class="pageNumber">Page 12</h5>
79+
<a href="alchemist11.html" class="previous">&laquo; Previous</a>
80+
<a href="alchemist13.html" class="next">Next &raquo;</a>
81+
</div>
82+
83+
</div>
84+
85+
<!-- script -->
86+
<script src="script.js"></script>
87+
</body>
88+
</html>

alchemist13.html

Lines changed: 94 additions & 0 deletions
Original file line numberDiff line numberDiff line change
@@ -0,0 +1,94 @@
1+
<!DOCTYPE html>
2+
<html lang="en">
3+
<head>
4+
<meta charset="UTF-8">
5+
<meta http-equiv="X-UA-Compatible" content="IE=edge">
6+
<meta name="viewport" content="width=device-width, initial-scale=1.0">
7+
<title>the alchemist</title>
8+
<link rel="stylesheet" href="style.css">
9+
</head>
10+
<body>
11+
<div class="container" >
12+
<div id="myHeader" class="header">
13+
<a href="index.html"><button class="home-button">Home</button></a>
14+
<button class="bookmark-button">Bookmark</button>
15+
<div class="wrapper">
16+
<input type="text" id="text-to-search" placeholder="Enter text to search...">
17+
<button onclick="search()">Search</button>
18+
</div>
19+
</div>
20+
<h6>Author</h6>
21+
<h1>Paulo Coelho</h1>
22+
<h6>Brazilian lyricist</h6>
23+
<p id="paragraph">
24+
25+
“Take these,” said the old man, holding out a white stone and a
26+
black stone that had been embedded at the center of the
27+
breastplate. “They are called Urim and Thummim. The black
28+
signifies ‘yes,’ and the white ‘no.’ When you are unable to read the
29+
omens, they will help you to do so. Always ask an objective
30+
question.
31+
“But, if you can, try to make your own decisions. The treasure is
32+
at the Pyramids; that you already knew. But I had to insist on the
33+
payment of six sheep because I helped you to make your decision.”
34+
The boy put the stones in his pouch. From then on, he would
35+
make his own decisions.
36+
“Don’t forget that everything you deal with is only one thing and
37+
nothing else. And don’t forget the language of omens. And, above all,
38+
don’t forget to follow your Personal Legend through to its
39+
conclusion.
40+
“But before I go, I want to tell you a little story.
41+
“A certain shopkeeper sent his son to learn about the secret of
42+
happiness from the wisest man in the world. The lad wandered
43+
through the desert for forty days, and finally came upon a beautiful
44+
castle, high atop a mountain. It was there that the wise man lived.
45+
“Rather than finding a saintly man, though, our hero, on entering
46+
the main room of the castle, saw a hive of activity: tradesmen came
47+
and went, people were conversing in the corners, a small orchestra
48+
was playing soft music, and there was a table covered with platters
49+
of the most delicious food in that part of the world. The wise man
50+
conversed with everyone, and the boy had to wait for two hours
51+
before it was his turn to be given the man’s attention.
52+
“The wise man listened attentively to the boy’s explanation of
53+
why he had come, but told him that he didn’t have time just then to
54+
explain the secret of happiness. He suggested that the boy look
55+
around the palace and return in two hours.
56+
“‘Meanwhile, I want to ask you to do something,’ said the wise
57+
man, handing the boy a teaspoon that held two drops of oil. ‘As you
58+
wander around, carry this spoon with you without allowing the oil
59+
to spill.’
60+
“The boy began climbing and descending the many stairways of
61+
the palace, keeping his eyes fixed on the spoon. After two hours, he
62+
returned to the room where the wise man was.
63+
“‘Well,’ asked the wise man, ‘did you see the Persian tapestries
64+
that are hanging in my dining hall? Did you see the garden that it
65+
took the master gardener ten years to create? Did you notice the
66+
beautiful parchments in my library?’
67+
“The boy was embarrassed, and confessed that he had observed
68+
nothing. His only concern had been not to spill the oil that the wise
69+
man had entrusted to him.
70+
“‘Then go back and observe the marvels of my world,’ said the
71+
wise man. ‘You cannot trust a man if you don’t know his house.’
72+
“Relieved, the boy picked up the spoon and returned to his
73+
exploration of the palace, this time observing all of the works of art
74+
on the ceilings and the walls. He saw the gardens, the mountains all
75+
around him, the beauty of the flowers, and the taste with which
76+
everything had been selected. Upon returning to the wise man, he
77+
related in detail everything he had seen.
78+
“‘But where are the drops of oil I entrusted to you?’ asked the
79+
wise man.
80+
“Looking down at the spoon he held, the boy saw that the oil was
81+
gone.
82+
</p>
83+
<div>
84+
<h5 class="pageNumber">Page 13</h5>
85+
<a href="alchemist12.html" class="previous">&laquo; Previous</a>
86+
<a href="alchemist14.html" class="next">Next &raquo;</a>
87+
</div>
88+
89+
</div>
90+
91+
<!-- script -->
92+
<script src="script.js"></script>
93+
</body>
94+
</html>

0 commit comments

Comments
 (0)