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<!DOCTYPE html> | ||
<html lang="en"> | ||
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<meta charset="UTF-8"> | ||
<meta http-equiv="X-UA-Compatible" content="IE=edge"> | ||
<meta name="viewport" content="width=device-width, initial-scale=1.0"> | ||
<title>the alchemist</title> | ||
<link rel="stylesheet" href="style.css"> | ||
</head> | ||
<body> | ||
<div class="container" > | ||
<div id="myHeader" class="header"> | ||
<a href="index.html"><button class="home-button">Home</button></a> | ||
<button class="bookmark-button">Bookmark</button> | ||
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<input type="text" id="text-to-search" placeholder="Enter text to search..."> | ||
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</div> | ||
<h6>Author</h6> | ||
<h1>Paulo Coelho</h1> | ||
<h6>Brazilian lyricist</h6> | ||
<p id="paragraph"> | ||
“Because you are trying to realize your Personal Legend. And | ||
you are at the point where you’re about to give it all up.” | ||
“And that’s when you always appear on the scene?” | ||
“Not always in this way, but I always appear in one form or | ||
another. Sometimes I appear in the form of a solution, or a good | ||
idea. At other times, at a crucial moment, I make it easier for things | ||
to happen. There are other things I do, too, but most of the time | ||
people don’t realize I’ve done them.” | ||
The old man related that, the week before, he had been forced to | ||
appear before a miner, and had taken the form of a stone. The miner | ||
had abandoned everything to go mining for emeralds. For five years | ||
he had been working a certain river, and had examined hundreds of | ||
thousands of stones looking for an emerald. The miner was about to | ||
give it all up, right at the point when, if he were to examine just one | ||
more stone—just one more—he would find his emerald. Since the | ||
miner had sacrificed everything to his Personal Legend, the old man | ||
decided to become involved. He transformed himself into a stone | ||
that rolled up to the miner’s foot. The miner, with all the anger and | ||
frustration of his five fruitless years, picked up the stone and threw | ||
it aside. But he had thrown it with such force that it broke the stone | ||
it fell upon, and there, embedded in the broken stone, was the most | ||
beautiful emerald in the world. | ||
“People learn, early in their lives, what is their reason for being,” | ||
said the old man, with a certain bitterness. “Maybe that’s why they | ||
give up on it so early, too. But that’s the way it is.” | ||
The boy reminded the old man that he had said something about | ||
hidden treasure. | ||
“Treasure is uncovered by the force of flowing water, and it is | ||
buried by the same currents,” said the old man. “If you want to learn | ||
about your own treasure, you will have to give me one-tenth of your | ||
flock.” | ||
“What about one-tenth of my treasure?” | ||
The old man looked disappointed. “If you start out by promising | ||
what you don’t even have yet, you’ll lose your desire to work | ||
toward getting it.” | ||
The boy told him that he had already promised to give one-tenth | ||
of his treasure to the Gypsy. | ||
“Gypsies are experts at getting people to do that,” sighed the old | ||
man. “In any case, it’s good that you’ve learned that everything in | ||
life has its price. This is what the Warriors of the Light try to teach.” | ||
The old man returned the book to the boy. | ||
“Tomorrow, at this same time, bring me a tenth of your flock. | ||
And I will tell you how to find the hidden treasure. Good afternoon.” | ||
And he vanished around the corner of the plaza. | ||
THE BOY BEGAN AGAIN TO READ HIS BOOK, BUT HE WAS NO longer able to | ||
concentrate. He was tense and upset, because he knew that the old | ||
man was right. He went over to the bakery and bought a loaf of | ||
bread, thinking about whether or not he should tell the baker what | ||
the old man had said about him. Sometimes it’s better to leave | ||
things as they are, he thought to himself, and decided to say nothing. | ||
If he were to say anything, the baker would spend three days | ||
thinking about giving it all up, even though he had gotten used to | ||
the way things were. The boy could certainly resist causing that | ||
kind of anxiety for the baker. So he began to wander through the | ||
city, and found himself at the gates. There was a small building | ||
there, with a window at which people bought tickets to Africa. And | ||
he knew that Egypt was in Africa. | ||
</p> | ||
<div> | ||
<h5 class="pageNumber">Page 10</h5> | ||
<a href="alchemist9.html" class="previous">« Previous</a> | ||
<a href="alchemist11.html" class="next">Next »</a> | ||
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<title>the alchemist</title> | ||
<link rel="stylesheet" href="style.css"> | ||
</head> | ||
<body> | ||
<div class="container" > | ||
<div id="myHeader" class="header"> | ||
<a href="index.html"><button class="home-button">Home</button></a> | ||
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<h6>Author</h6> | ||
<h1>Paulo Coelho</h1> | ||
<h6>Brazilian lyricist</h6> | ||
<p id="paragraph"> | ||
“Can I help you?” asked the man behind the window. | ||
“Maybe tomorrow,” said the boy, moving away. If he sold just | ||
one of his sheep, he’d have enough to get to the other shore of the | ||
strait. The idea frightened him. | ||
“Another dreamer,” said the ticket seller to his assistant, | ||
watching the boy walk away. “He doesn’t have enough money to | ||
travel.” | ||
While standing at the ticket window, the boy had remembered | ||
his flock, and decided he should go back to being a shepherd. In two | ||
years he had learned everything about shepherding: he knew how | ||
to shear sheep, how to care for pregnant ewes, and how to protect | ||
the sheep from wolves. He knew all the fields and pastures of | ||
Andalusia. And he knew what was the fair price for every one of his | ||
animals. | ||
He decided to return to his friend’s stable by the longest route | ||
possible. As he walked past the city’s castle, he interrupted his | ||
return, and climbed the stone ramp that led to the top of the wall. | ||
From there, he could see Africa in the distance. Someone had once | ||
told him that it was from there that the Moors had come, to occupy | ||
all of Spain. | ||
He could see almost the entire city from where he sat, including | ||
the plaza where he had talked with the old man. Curse the moment I | ||
met that old man, he thought. He had come to the town only to find | ||
a woman who could interpret his dream. Neither the woman nor the | ||
old man was at all impressed by the fact that he was a shepherd. | ||
They were solitary individuals who no longer believed in things, | ||
and didn’t understand that shepherds become attached to their | ||
sheep. He knew everything about each member of his flock: he | ||
knew which ones were lame, which one was to give birth two | ||
months from now, and which were the laziest. He knew how to | ||
shear them, and how to slaughter them. If he ever decided to leave | ||
them, they would suffer. | ||
The wind began to pick up. He knew that wind: people called it | ||
the levanter, because on it the Moors had come from the Levant at | ||
the eastern end of the Mediterranean. | ||
The levanter increased in intensity. Here I am, between my flock | ||
and my treasure, the boy thought. He had to choose between | ||
something he had become accustomed to and something he wanted | ||
to have. There was also the merchant’s daughter, but she wasn’t as | ||
important as his flock, because she didn’t depend on him. Maybe she | ||
didn’t even remember him. He was sure that it made no difference | ||
to her on which day he appeared: for her, every day was the same, | ||
and when each day is the same as the next, it’s because people fail to | ||
recognize the good things that happen in their lives every day that | ||
the sun rises. | ||
</p> | ||
<div> | ||
<h5 class="pageNumber">Page 11</h5> | ||
<a href="alchemist10.html" class="previous">« Previous</a> | ||
<a href="alchemist12.html" class="next">Next »</a> | ||
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<meta http-equiv="X-UA-Compatible" content="IE=edge"> | ||
<meta name="viewport" content="width=device-width, initial-scale=1.0"> | ||
<title>the alchemist</title> | ||
<link rel="stylesheet" href="style.css"> | ||
</head> | ||
<body> | ||
<div class="container" > | ||
<div id="myHeader" class="header"> | ||
<a href="index.html"><button class="home-button">Home</button></a> | ||
<button class="bookmark-button">Bookmark</button> | ||
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<input type="text" id="text-to-search" placeholder="Enter text to search..."> | ||
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</div> | ||
<h6>Author</h6> | ||
<h1>Paulo Coelho</h1> | ||
<h6>Brazilian lyricist</h6> | ||
<p id="paragraph"> | ||
I left my father, my mother, and the town castle behind. They | ||
have gotten used to my being away, and so have I. The sheep will get | ||
used to my not being there, too, the boy thought. | ||
From where he sat, he could observe the plaza. People continued | ||
to come and go from the baker’s shop. A young couple sat on the | ||
bench where he had talked with the old man, and they kissed. | ||
“That baker…” he said to himself, without completing the | ||
thought. The levanter was still getting stronger, and he felt its force | ||
on his face. That wind had brought the Moors, yes, but it had also | ||
brought the smell of the desert and of veiled women. It had brought | ||
with it the sweat and the dreams of men who had once left to search | ||
for the unknown, and for gold and adventure—and for the | ||
Pyramids. The boy felt jealous of the freedom of the wind, and saw | ||
that he could have the same freedom. There was nothing to hold | ||
him back except himself. The sheep, the merchant’s daughter, and | ||
the fields of Andalusia were only steps along the way to his Personal | ||
Legend. | ||
The next day, the boy met the old man at noon. He brought six | ||
sheep with him. | ||
“I’m surprised,” the boy said. “My friend bought all the other | ||
sheep immediately. He said that he had always dreamed of being a | ||
shepherd, and that it was a good omen.” | ||
“That’s the way it always is,” said the old man. “It’s called the | ||
principle of favorability. When you play cards the first time, you are | ||
almost sure to win. Beginner’s luck.” | ||
“Why is that?” | ||
“Because there is a force that wants you to realize your Personal | ||
Legend; it whets your appetite with a taste of success.” | ||
Then the old man began to inspect the sheep, and he saw that | ||
one was lame. The boy explained that it wasn’t important, since that | ||
sheep was the most intelligent of the flock, and produced the most | ||
wool. | ||
“Where is the treasure?” he asked. | ||
“It’s in Egypt, near the Pyramids.” | ||
The boy was startled. The old woman had said the same thing. | ||
But she hadn’t charged him anything. | ||
“In order to find the treasure, you will have to follow the omens. | ||
God has prepared a path for everyone to follow. You just have to | ||
read the omens that he left for you.” | ||
Before the boy could reply, a butterfly appeared and fluttered | ||
between him and the old man. He remembered something his | ||
grandfather had once told him: that butterflies were a good omen. | ||
Like crickets, and like grasshoppers; like lizards and four-leaf | ||
clovers. | ||
“That’s right,” said the old man, able to read the boy’s thoughts. | ||
“Just as your grandfather taught you. These are good omens.” | ||
The old man opened his cape, and the boy was struck by what he | ||
saw. The old man wore a breastplate of heavy gold, covered with | ||
precious stones. The boy recalled the brilliance he had noticed on | ||
the previous day. | ||
He really was a king! He must be disguised to avoid encounters | ||
with thieves. | ||
</p> | ||
<div> | ||
<h5 class="pageNumber">Page 12</h5> | ||
<a href="alchemist11.html" class="previous">« Previous</a> | ||
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<meta charset="UTF-8"> | ||
<meta http-equiv="X-UA-Compatible" content="IE=edge"> | ||
<meta name="viewport" content="width=device-width, initial-scale=1.0"> | ||
<title>the alchemist</title> | ||
<link rel="stylesheet" href="style.css"> | ||
</head> | ||
<body> | ||
<div class="container" > | ||
<div id="myHeader" class="header"> | ||
<a href="index.html"><button class="home-button">Home</button></a> | ||
<button class="bookmark-button">Bookmark</button> | ||
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<input type="text" id="text-to-search" placeholder="Enter text to search..."> | ||
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</div> | ||
<h6>Author</h6> | ||
<h1>Paulo Coelho</h1> | ||
<h6>Brazilian lyricist</h6> | ||
<p id="paragraph"> | ||
|
||
“Take these,” said the old man, holding out a white stone and a | ||
black stone that had been embedded at the center of the | ||
breastplate. “They are called Urim and Thummim. The black | ||
signifies ‘yes,’ and the white ‘no.’ When you are unable to read the | ||
omens, they will help you to do so. Always ask an objective | ||
question. | ||
“But, if you can, try to make your own decisions. The treasure is | ||
at the Pyramids; that you already knew. But I had to insist on the | ||
payment of six sheep because I helped you to make your decision.” | ||
The boy put the stones in his pouch. From then on, he would | ||
make his own decisions. | ||
“Don’t forget that everything you deal with is only one thing and | ||
nothing else. And don’t forget the language of omens. And, above all, | ||
don’t forget to follow your Personal Legend through to its | ||
conclusion. | ||
“But before I go, I want to tell you a little story. | ||
“A certain shopkeeper sent his son to learn about the secret of | ||
happiness from the wisest man in the world. The lad wandered | ||
through the desert for forty days, and finally came upon a beautiful | ||
castle, high atop a mountain. It was there that the wise man lived. | ||
“Rather than finding a saintly man, though, our hero, on entering | ||
the main room of the castle, saw a hive of activity: tradesmen came | ||
and went, people were conversing in the corners, a small orchestra | ||
was playing soft music, and there was a table covered with platters | ||
of the most delicious food in that part of the world. The wise man | ||
conversed with everyone, and the boy had to wait for two hours | ||
before it was his turn to be given the man’s attention. | ||
“The wise man listened attentively to the boy’s explanation of | ||
why he had come, but told him that he didn’t have time just then to | ||
explain the secret of happiness. He suggested that the boy look | ||
around the palace and return in two hours. | ||
“‘Meanwhile, I want to ask you to do something,’ said the wise | ||
man, handing the boy a teaspoon that held two drops of oil. ‘As you | ||
wander around, carry this spoon with you without allowing the oil | ||
to spill.’ | ||
“The boy began climbing and descending the many stairways of | ||
the palace, keeping his eyes fixed on the spoon. After two hours, he | ||
returned to the room where the wise man was. | ||
“‘Well,’ asked the wise man, ‘did you see the Persian tapestries | ||
that are hanging in my dining hall? Did you see the garden that it | ||
took the master gardener ten years to create? Did you notice the | ||
beautiful parchments in my library?’ | ||
“The boy was embarrassed, and confessed that he had observed | ||
nothing. His only concern had been not to spill the oil that the wise | ||
man had entrusted to him. | ||
“‘Then go back and observe the marvels of my world,’ said the | ||
wise man. ‘You cannot trust a man if you don’t know his house.’ | ||
“Relieved, the boy picked up the spoon and returned to his | ||
exploration of the palace, this time observing all of the works of art | ||
on the ceilings and the walls. He saw the gardens, the mountains all | ||
around him, the beauty of the flowers, and the taste with which | ||
everything had been selected. Upon returning to the wise man, he | ||
related in detail everything he had seen. | ||
“‘But where are the drops of oil I entrusted to you?’ asked the | ||
wise man. | ||
“Looking down at the spoon he held, the boy saw that the oil was | ||
gone. | ||
</p> | ||
<div> | ||
<h5 class="pageNumber">Page 13</h5> | ||
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